Steinway Hall, London is the main centre for Steinway & Sons UK. Our first London showroom was established on Wigmore Street in 1875. Today, we reside not far away on Marylebone Lane. Here we house our piano showroom and Hall of Fame, recital room, practice facilities and administrative offices. We also restore and service pianos in our restoration centre, although we do not build new pianos in London - these are made at our factories in Hamburg and New York.
The services we provide at Steinway Hall are varied and numerous. Our Concerts and Artists department supply pianos to major institutions across the UK, including the BBC Proms, and for artists such as Vladimir Ashkenazy and Alfred Brendel. Through our Steinway Artists scheme we sustain the world's most gifted pianists - both established and up-and-coming. We aim to support music students in their studies through our 'All Steinway Schools' programme, which provides schools and colleges with a customised selection of our finest pianos. We also provide tuning, storage and removals services.
Kiss is a UK radio station which is broadcasting on FM and National DAB, specialising in pop, hip hop, R&B, urban and electronic dance music. It also broadcasts on DAB Digital Radio around the UK & nationally on Freeview, Sky and Virgin Media. Owned by Hamburg based Bauer Media Group, Kiss forms part of Bauer's National portfolio of radio brands. Kiss spin-off brands include Kisstory and Kiss Fresh.HistoryKiss FM began in October 1985 as a pirate radio station, broadcasting first to South London then across the whole city, on 94FM. The station had gained a large audience by the time it was awarded a legitimate licence in 1990. ″The team which transformed KISS 94 FM to KISS 100FM included Lyn Champion, a BBC Radio 1 producer and UK Dance promo producer, who in the early 1980s had started a weekly column in London's City Limits magazine listing pirate radio shows from the mighty JFM, Invicta and K-Jazz. Lyn was brought in to help write the original proposal in 1989 and was Head of Talks responsible for all spoken word output on the new KISS 100 FM. The British Broadcasting Act of 1990 (the start of Thatcher's de-regulation programme) abolished the ″IBA″ which had enshrined community and spoken word programming within the licence, so KISS 100 FM missed the opportunity to initiate the 20 year wave of documentary series and cultural broadcasting about R&B based music, jazz, reggae, blues, electro and rap which was intended within original legally approved brief ″″. This material had never been broadcast in the UK on radio or TV and this was a key reason the station received an IBA license. A missed opportunity indeed as it became the standard fare of every major broadcaster through the 1990s and noughties. Lyn Champion was the first to leave as a result, followed by such icons as Norman Jay. Lyn lectures extensively about media de-regulation and content.
October 21st 2009 saw the long awaited return of London's most prolific luxury nightclub further to the closure of the original Air Street premises due to redevelopment.
Moving away from Soho and embracing the elegance of Fitzrovia, Chinawhite returned to great acclaim. Long considered a pioneer in its field, Chinawhite combines its formidable heritage with a brand new distinct, progressive and modern approach.
Il Bottaccio is a leading international event production, catering and entertainment company headquartered in London.
From large scale corporate events, fashion shows and state of the art product launches, to intimate birthday parties and elegant weddings — our outstanding team boasts over 30 years of experience in providing professional planning services and delivering truly unforgettable memories.
Always striving to challenge the boundaries of what is possible, with remarkable attention to details and impeccable taste — from Shanghai to New York, to Istanbul to Rome, your Dream is the limit when it comes to what the team at Il Bottaccio can create.
Michelin-starred Executive Chef Jason Atherton puts a twist on traditional British cuisine with a restaurant menu entirely sourced in the UK. Among the city’s most sought-after reservations, our all-day dining restaurant also serves tea, late supper and a popular Sunday brunch.
A lavish "Urban Spa" in the heart of London’s West End, Sanderson Hotel offers a retreat from the bustle of the city into a world of fantasy and wellbeing. The landmarked 50s building has been transformed by Philippe Starck into a surreal Cocteau-like dream world, epitomizing a “new luxury” that is smart, pared down, and tempered with a healthy dose of wit and irony. With the absence of “normal” walls and a floor-to-ceiling glass facade that diffuses natural light through flowing layers of ethereal sheer curtains, Sanderson’s indoor/outdoor lobby is a layered and sophisticated environment that is totally original. Surrounding an extraordinary landmark Courtyard Garden designed by Philip Hicks, Starck’s visionary style mixes baroque and modern, juxtaposing Salvador Dali’s curvaceous red lips sofa with classic 60s mosaics and hand-carved African furniture with an oversized Louis XV armoire. The result blends wit, magic and surprise in an elegant balancing act of extravagance and pure simplicity.
Air-Edel offers full music supervision and production services for feature film, television, commercials and video game projects.
Working closely with the composer, director, producer, musicians & artists, we can handle all aspects of music production including:
-booking of all musicians
-in house recording studios
A production company can use any or all of our expertise to create their very own "music department", on a project by project basis.
Whether it's music for a micro budget indie film or the Oscar winning triumph of Dario Marianelli's score for Atonement, we always bring the same level of passion and expertise to the project.
Broadcasting House is the headquarters of the BBC, in Portland Place and Langham Place, London. The first radio broadcast was made on 15 March 1932, and the building was officially opened two months later, on 15 May. The main building is in Art Deco style, with a facing of Portland stone over a steel frame. It is a Grade II* listed building and includes the BBC Radio Theatre, where music and speech programmes are recorded in front of a studio audience, and lobby that was used as a location for filming the 1998 BBC television series In the Red.As part of a major consolidation of the BBC's property portfolio in London, Broadcasting House has been extensively renovated and extended. This involved the demolition of post-war extensions on the eastern side of the building, replaced by a new wing completed in 2005. The wing was named the "John Peel Wing" in 2012, after the disc jockey. BBC London, BBC Arabic Television and BBC Persian Television are housed in the new wing, which also contains the reception area for BBC Radio 1 and BBC Radio 1Xtra (the studios themselves are in the new extension to the main building).The main building was refurbished, and an extension built to the rear. The radio stations BBC Radio 3, BBC Radio 4, BBC Radio 4 Extra and the BBC World Service transferred to refurbished studios within the building. The extension links the old building with the John Peel Wing, and includes a new combined newsroom for BBC News, with studios for the BBC News channel, BBC World News and other news programming. The move of news operations from BBC Television Centre completed in March 2013.
Rose Issa is a curator, writer and producer who has championed visual art and film from the Middle East for more than 30 years. She has lived in London since the 1980s showcasing upcoming and established artists, producing exhibitions with public and private institutions worldwide, and running a publishing programme.
Through curating numerous exhibitions and film festivals, she introduced Western audiences to many artists who have since become stars of the international scene, including: Chant Avedissian, Ayman Baalbaki, Shadi Ghadirian, Monir Farmanfarmaian, Bahman Ghobadi, Hassan Hajjaj, Farhad Moshiri, Abbas Kiarostami, Rashid Koraichi and Nja Mahdaoui among many more.
As well as holding exhibitions at her own project space in London, Rose Issa collaborates as a co-curator with private and public institutions such as the Beirut Exhibition Center (2010-11); the Bluecoat Arts Centre, Liverpool (2010); Tate Britain, London (2008); the European Parliament, Brussels (2008); the State Museum of Oriental Art, Moscow (2007); the Hermitage Museum, St Petersburg (2007); ING Bank, Geneva (2007); the Victoria & Albert Museum, London (2006); the Haus der Kulturen der Welt (HKW), Berlin (2004); The CCCB (Contemporary Cultural Centre), Barcelona (2003); the IFA - Institut fur Auslandsbezeihungen (2002-3), Stuttgart; the Tropenmuseum, Amsterdam (1996-1997); the Barbican Art Centre, London (2001, 1995); and Leighton House Museum, London (ongoing, since 1992). She also advises and lends works to public and private institutions, including the CAB Art Centre, Brussels (2013); the Boghossian Foundation, Brussels (2012); the Queensland Art Museum, Brisbane, Australia (2009); Paul Klee Museum, Bern (2009); Belvedere Museum, Vienna (2009); The British Museum; the Imperial War Museum; The Museum of Mankind; the Victoria & Albert Museum; The Written Art Foundation, Wiesbaden; The National Museums of Scotland; the Los Angeles County Museum of Art; The Smithsonian Institution (Sackler/Freer Gallery and National Museum of African Arts); the World Bank, Washington DC; and The National Gallery of Jordan. Rose Issa was a Jury member for the National Pavillions at the 50th Venice Biennale (2003) and sat on the Jury for the Arab British Centre (2013) and MOPCAP (the Magic of Persia, 2013).
Founder of the publishing unit Rose Issa Projects and Beyond Art Production, Rose publishes monographs and comprehensive catalogues addressing the current concerns and trends of the visual arts scene from the Arab world, Iran and Turkey. Recent titles include: Maliheh Afnan: Familiar Faces (2013); Nermine Hammam: Cairo Year One (2012); Raeda Saadeh: Reframing Palestine (2012), Farhad Ahrarnia: Canary in a Coal Mine (2011), Ayman Baalbaki: Beirut Again and Again (2011), Selma Gurbuz: Shadow of My Self (2011), Omid Salehi: a Photographer’s Journey Through Iran (2011), Fathi Hassan (2010); Parastou Forouhar: Art, Life and Death in Iran (2010) and Maliheh Afnan: Traces, Faces, Places (2009). Rose has also co-published the two major overviews on contemporary photography from the Middle East: Arab Photography Now (with Kehrer Verlag, 2011) and Iranian Photography Now (with Hatjie Kantz, 2008).
Film from the Arab World and Iran
In 1982 Rose Issa launched the first-ever Arab Film Festival in Paris and worked with the Delegations Etrangères at the Cannes Film Festival (1983-1985). For a further 26 years until 2008, she curated Arab and Iranian film seasons in Britain and abroad. She was special advisor to The Berlinale (2003-2007); the International Rotterdam Film Festival (1996-2002); the London International Film Festival (1987-2003); and The British Film Institute (1988-1995). She also curated Arab and Iranian film seasons at The National Film Theatre (“Hollywood on the Nile”, 2003; “Art and Life: The New Iranian Cinema”, 1999; “First Arab Film Festival”, 1987); the Barbican (“Unveiled Lives: Women and Iranian Cinema”, 2001; “Melodramas, Comedies, and Mysteries: North African Film”, 1995). In addition she curated a season of Iranian films for Britain’s Channel 4 (2005) and collaborated with them on “Cinema Iran”, a series of documentaries on Iranian cinema. She also realised the documentary, “Moving Pictures: Tunisian Women Film Directors”, for BBC2 TV (1995).